Reading Women with Trudy J. Morgan-Cole

In honour of International Women’s Day, we invited some of our authors to tell us why reading books by women is important and to share some of their favourite books by women with us.

Our second featured author is Trudy J. Morgan-Cole. Trudy J. Morgan-Cole is a writer and teacher in St. John’s, Newfoundland. Her historical novels include By the Rivers of Brooklyn, That Forgetful Shore, A Sudden Sun and Most Anything You Please. At her day job, she teaches English and social studies to adult learners. She is married and is the mom of two young adults. Trudy’s passion is uncovering and re-imagining the untold stories of women in history.

Most Anything You Please recently won NL Reads and the inaugural Margaret Duley Award. Read more about her win here.

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Trudy J. Morgan-Cole on Reading Women

My answer to the question “why read women?” is really the same as my answer to “why read?” in that I don’t feel “books by women” are a special sub-category of books. If you love books, if you read widely, then you should read and love books by women, which are as varied and diverse as are books by men.

However, with that being said, I realize it’s very easy to fall into ruts with our reading, to only read what’s familiar, what we’ve read before, what gets recommended to us through certain channels. And so, for some readers, that might mean that they’re more likely to read books by men than by women, simply because that’s what they’re used to or what they’ve been exposed to. If you’re not reading many books by women, you’re leaving out a huge chunk of the human experience.

So for anyone who is not already reading a lot of books by women, I would encourage you to diversify your reading. Challenge yourself to find new women writers, new books by women that you might not have discovered if you hadn’t gone looking for them. Adding any kind of diversity to your reading list—whether it’s trying to read more women, more books by writers of colour, more books written in a language other than English, more books by LGBTQ authors, whatever—can only give you a richer reading experience as you get exposed to more perspectives, more views on the world. And that holds true whether you’re reading fiction or non-fiction.

When I think of my favourite women writers, I think of a huge variety—some very well-known; some not at all well-known. It’s easier for me to choose a few if I break them down into categories. I love historical fiction: Sharon Kay Penman, Dorothy Dunnett, Margaret George—those are just a few women who I think are masters (or mistresses?) of that genre. One of my favourite fantasy writers is Robin Hobb, and then there’s a very new female fantasy writer, S.A. Chakraborty, whose work I’m really excited about. For contemporary realistic fiction, I love classics like Anne Tyler, but I also love an American writer called Joshilyn Jackson and British writer, Catherine Fox, whose work is not nearly as well known. I think as Canadian readers we’re very lucky that some of our best-known and most foundational fiction writers are women, and of those I would say Margaret Laurence had the biggest impact on me of anyone.

But throwing out all those names is just scratching the surface. I could name a hundred more, in all different genres and styles, past and present. I believe in reading widely, books by men and women from all sorts of backgrounds—but as a woman, I do particularly love seeing the world through female eyes.

From March 8th – 12th, take 20% off all books by our female authors in-store and online.

Enter promo code: WOMENSDAY2019

WOMENSDAY2019 Sale

Reading Women with Leslie Vryenhoek

In honour of International Women’s Day, we invited some of our authors to tell us why reading books by women is important and to share some of their favourite books by women with us.

First up is Leslie Vryenhoek. Leslie Vryenhoek is an award-winning author of fiction and poetry. Her novel Ledger of the Open Hand was shortlisted for Newfoundland and Labrador’s prestigious Winterset Award, long-listed for the international Dublin Literary Award, and won a silver medal from the Independent Publisher Book Awards.

Leslie has also worked as a professional communicator in international development, advanced education, emergency response and the arts. Based in St. John’s, Canada, she travels extensively to gather stories about the lives of poor working women, which have been published worldwide.

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Leslie Vryenhoek on Reading Women

Why read women?

It’s a trick question, ridiculous on the surface, and more maddening the deeper you delve. What does it mean to “read women” anyway?

Doesn’t the question presume that there’s some commonality, or at least a common sensibility, in all women’s writing? Doesn’t it strip away the author’s distinct voice, her individual experience, and leave just a set of genitalia holding a pen: estrogen as muse, the uterus as scribe?

Isn’t the call to “read women” just another way of saying “Look, these books aren’t quite as good, but you should read them anyway (please) because the ladies are trying so hard”?

Well maybe. And no. And absolutely not.

Still, it galls me. We should be decades beyond having to exhort anyone to read what women write.

Except we know (because booksellers tell us so) that men regularly say “I don’t read women.”

Except we know that when men write about relationships and sex, egos and feelings, it’s brilliant, courageous and deeply human social commentary. When women write about those things, it’s ChickLit. Or at best, it’s women’s fiction, ghettoized on the shelf and ignored by serious readers.

Except we know that a young man who signed up for the same amazing literature course I did (not way back—I mean in this millennium) took one look at a syllabus that was 50% female and said nope, he didn’t mean to take a women’s studies class.

And who can blame him for thinking that? Syllabi, like the bestseller lists and the big award shortlists, almost always favour male authors. And here’s another thing they favour: books about men, about male protagonists and male pursuits no matter who wrote them.

So here’s another question: Are you reading women if the author is female but you’re still reading about the lives of men?

I know it’s rude to answer a question with another question, let alone a barrage of them, but I’m vexed. I hate the question. And yet—

And yet books written by women that view the world through a female lens, that contain women as fully realized characters—as narrators and protagonists and multi-dimensional individuals, not just wives and lovers, mothers and daughters—those are exactly the books I gravitate toward. Those are the books I love. So I must have an answer.

Fine, here it is then, as near as I can figure and in broad general terms.

Read women because women’s stories are different than men’s; because women’s brains and the way they experience the world is different. Nurture or nature, conditioning or hormones—whatever. It’s true. So not reading women is like growing up without any female influences in your life. You’re missing a piece of the puzzle; your understanding of the world is truncated.

Read women because you’ll have to endure far fewer eyerolling mentions of simultaneous orgasm during intercourse—and a much deeper understanding of the consequences of sex.

Read women because women learn young to listen, to sand their outright opinions down into propositions, to consider other points of view before pushing forward. That early-girl training is a hindrance in most careers, but it might be the best possible training for writers. It makes women better, I think, at crafting distinct multiple viewpoints (see Sharon Bala’s The Boat People, Carol Shields’ Swann, Barbara Kingsolver’s The Poisonwood Bible, for starters). It makes women adept at revealing the subtleties and moral failings of the human heart.

Read women because women’s books tend to ask more questions than they answer.

Some of my favourite books by and about women:

Short stories –

  • Carol Shields’ elegant, insightful collections in The Orange Fish and Various Miracles
  • The muscled prose and memorable women, of Lynn Coady’s Hellgoing and Play the Monster Blind
  • Rosalind Gill’s Too Unspeakable for Words—uncommon stories that take you right inside what it was to be female in 20th-century Newfoundland

Novels –

  • Jessica Grant’s Come, Thou Tortoise for its smart, funny and deeply original protagonist
  • Sister Noon by Karen Joy Fowler, a wild ride alongside women of 1890s San Francisco
  • Martha Baillie’s mysterious, evocative The Incident Report and her earlier, gutting The Shape I Gave You
  • Anything by Louise Erdrich, but most especially The Last Report on the Miracles at Little No Horse
  • Harper Lee’s Go Set a Watchman – I like it better that To Kill a Mockingbird with all its complex and messy feelings of grown-up Scout and her imperfect daddy Atticus

From March 8th – 12th, take 20% off all books by our female authors in-store and online.

Enter promo code: WOMENSDAY2019

WOMENSDAY2019 Sale

The Luminous Sea a 2018 BMO Winterset Finalist

The 2018 BMO Winterset Award finalists were just announced, and we are thrilled to say that The Luminous Sea by Melissa Barbeau has claimed its spot in the top three.

The three finalists are:

  • Melissa Barbeau, The Luminous Sea (Breakwater Books), St. John’s, NL
  • Robert ChafeBetween Breaths (Playwrights Canada Press), Toronto, ON
  • Heather Smith, Ebb & Flow (Kids Can Press Ltd.; division of Corus Entertainment Inc.), Toronto, ON

Congratulations to all three finalists, and thank you to ArtsNL.

Finalists will read from their works and answer questions from the audience at a public reading and reception: 7pm Wednesday, March 27, 2019 at The Rooms (in the Theatre), 9 Bonaventure Avenue in St. John’s.

Read the full press release here.

Almost Feral in Japan

Gemma Hickey is headed to Tokyo, Japan!

The Embassy of Canada and Rainbow Reel Tokyo are presenting a screening and discussion of “Just Be Gemma” on Wednesday, February 13. On Thursday, February 14 at 6:30 p.m. JST (6:00 a.m. NST) Gemma will be reading from Almost Feral at the Embassy. Follow  to watch a livestream of the reading wherever you are!

Almost Feral in Tokyo

Breakwater Authors at SPARKS

 

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Another new year is upon us and with it comes the 2019 SPARKS Literary Festival. Founded in 2009, SPARKS is a celebration of literary creation featuring author readings, discussions, signings, and plenty of opportunities to fall in love with and buy books. This year’s line-up features, among others, Breakwater authors Melissa Barbeau, Robert Chafe, Cara Kansala, Larry Mathews, Michelle Porter, Katie Vautour, and Tom Dawe.

SPARKS will be held from 10:30 a.m. to 6 p.m. on Sunday, January 27, 2019 at the Suncor Energy Hall, School of Music, with a reception following. Free parking is available in Lot 15B next to the School of Music Building. (Map)

Click here for more information.

2018 Fall Launch

Thank you to everyone who came out to our Fall 2018 Launch Party! The evening was an overwhelming success. There were readings by Melissa Barbeau, Robert Chafe, Susan MacDonald, Larry Mathews, Fionn Shea, and special guest Lisa Moore. Jessica Mitton, author of Some Good, was also on hand with some mouth-watering free samples. PLUS we gave away a two-night stay in beautiful Trinity valued at over $500.

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Traveling authors!

Breakwater authors will be on the move this weekend, traveling to Saint John, New Brunswick, to take part in the sixth annual Fog Lit Festival! Check the program schedule at foglit.ca for full details on appearances by Edward RicheTrudy J. Morgan-ColeJamie Fitzpatrick, Melissa Barbeau, and Larry Mathews.

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